The Briscoe Center has acquired the photographic archive of Mike Maple, a photojournalist who specializes in documentary photography. Maple has covered all manner of social issues in America over a forty-year career. In addition, he has worked around the world for major dailies and magazines, photographing presidents, musicians, and sporting icons.
The Briscoe Center has acquired the papers of Rod Nordland, an award-winning correspondent for the New York Times. Currently based in Afghanistan, where he serves as the Times’s Kabul bureau chief, Nordland has worked as a foreign correspondent across the world, including postings in Bangkok, Beirut, Baghdad, Cairo, Rome, Sarajevo, San Salvador, Islamabad, and London. He is the author of The Lovers: Afghanistan’s Romeo and Juliet, which tells the true story of Zakia and Ali, an Afghan couple who eloped and then escaped their community’s violent reaction.
The Briscoe Center has acquired the papers of award-winning news producer and investigative journalist Steve Singer.
“I’m grateful to Steve for donating his papers,” said Don Carleton, executive director of the Briscoe Center. “His exceptionally varied career—having worked for the Houston Chronicle, PBS, CBS, ABC News, CNN, and ESPN—will help scholars and students understand the connections across America’s news media landscape in new and distinctive ways.”
The Eyes of the People
The Briscoe Center has acquired the photographic archive of Pulitzer Prize–winning photographer Carolyn Cole. A staff photographer at the Los Angeles Times since 1994, Cole is perhaps best known for her conflict photography, including assignments to Iraq, Afghanistan, Kosovo, and Liberia. In addition, she has covered many major national news stories such as the shooting at Columbine High School in 1999 and Hurricane Katrina in 2005. Still active, Cole continues to capture American history, documenting the 2016 presidential election as well as recent border patrol operations in the Southwest. In each situation her goal is the same: to be “the eyes of the people.”
“I’ve always had a very clear definition of what my role was,” says Cole. “I’m making images that speak to what I’m seeing, building a bridge between readers and the outside world. I want to draw people in.”